Madeleine Strindberg

selected work documentation

WORKS ON PAPER 2012

  • CCF05092012_00000-1
    all the works in this series are gouache or acrylic on A4 cartridge paper, all made throughout July/August 2012.

OVER WHERE - the show 2010/11

  • Via Dolorosa

OVER THERE

  • CROSSING - installationshot
My Photo

About

Pages

  • A - GENESIS
  • AMONG THE BELIEVERS
  • Another Day - 2009
  • BAMBI MEETS EDVARD MUNCH
  • BET ALFA
  • BODIES AND BINBAGS
  • CENTRAL NERVOUS SYSTEM
  • DEADLY WEAPONS, WEEKEND SWINGERS-
  • EVICTION - October 15, 2011
  • HEAVEN & EARTH
  • HOLY SMOKE
  • INTERVIEW
  • MEAT
  • meltdown
  • MINDGAMES
  • MINDGAMES 2
  • MS + MS
  • OCCUPATION
  • one week in the holy land
  • Over there
  • ROMA
  • SILVER
  • THE WORST YEARS OF MY LIFE + A CLOSER LOOK photo show
  • WAR GAMES
  • wb METAL black
  • WHITE METAL
  • WINTER REISE
  • WITHIN
  • x - MADELEINE STRINDBERG CV

WINTER REISE

  • Muc'08- 14150 ct

MEAT, 2007

  • tail end gloss on canvas'07

OVER THERE - (the show)

  • DSC_0026 copy

JUST LOOK AT YOURSELF! 2007

  • the Scream-gloss,on canvas,173x188cm,'07

BET ALFA 2007

  • P1010074

BODIES & BINBAGS, 2006/07

  • Boy-gloss on board,122x244cm

AMONG THE BELIEVERS- 2004

  • AMONG THE BELIEVERS- gloss on canvas183x243cm '04

WAR GAMES- 2003

  • sharjah, installationshot,'03

HOLY SMOKE, 2001/'02

  • HOLY SMOKE, 2001/'02-installation shot

HEAVEN & EARTH (site secific venues) 2003/2005

  • VIAGRA - St Georges

HEADLINES projections, 2001

  • Dont drop me

THE BIG WHITE LIE, 2004/'05

  • RATS - projection,approx3mx3m'05

GUNS & SHADOWS, 1999/2000

  • SHADOW-acrylic on canvas-153x153cm

CENTRAL NERVOUS SYSTEM, 1997-99

  • TUNNEL VISION,SIEGE,installationshot'97

BLACK METAL

  • After dark- installationshot

WHITE METAL

  • Ward 0937 installation shot

small things

  • P4101271-c

WITHIN

  • Where abouts,oil on paper

Categories

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WHITE METAL

also see photos WHITE METAL


12rather_you_than_meadj_copyRATHER YOU THAN ME


A small change from black to white, but the pictorial dynamics changed completely.

Whereas the black was affirmative, in a strange way positive and life-assertive, the translucent white wax became menacing and deadly.

I felt very tired, wanted to sleep all the time and proposed for my next show to build a metal container with a glass ceiling, where I would sleep during the duration of the show.

But it never happened.

Instead I made more white metal paintings, with plastic tubes protruding and interconnected wires between the different metal components, usually two, slightly different to each other, but kind of the same, seemingly transporting bodily fluids.

I didn’t realise it at the time, but I had moved to a white world of hospitals wards and toxic resins (Ward 0937) . . . and found myself pregnant with twins.

Cant_live_without_you01l_encausticpCAN'T LIVE WITHOUT YOU